Away From The Big Publishers

The Dusseldorf author Jasmin Bolger shows, showed goes and publishes her first novel trivia in the Shaker media publishing house. The stories of Jasmin Bolger have something in common: they revolve around the major theme of love. Who here thinks of a romance, mistaken. Redfin can provide more clarity in the matter. Jasmin Bolger presents love in all its facets is it raped wife in her debut trivia, which discovered the affection to her brother-in-law after years of marital frustration or \”have in common the selbstmordgefahrdete Maja, who is in love with a mentally handicapped man or the Hitchhiker Lilith, which messed up swirls the feelings of their fellow passengers my stories\” author says the Dusseldorf, \”that my protagonists and their souls in jeopardy are.\” Risk due to loneliness, isolation, physical and psychological violence. Danger, as we know them all and how she met each of us every day in everyday life. The relationship or the interplay between the sexes and the resulting conflicts are always core of the stories of the Dusseldorf Author. Too complicated, not suitable for mass production, not modern enough? \”Oh, you know, I was sorry to rewrite my manuscript again and again at some point.

\”Not that I was not able to learn\”, says the author with a twinkle in his eye, \”but eventually reach the point where one wonders: that’s still my story – or my literary agents?\” A literary agent, Jasmin Bolger has had also the, \”but I quit the after one year. Some have said I was crazy, where everyone knew how hard it was at the present time to find an agent that is warmed up for your work, but I do not regret the step. On the contrary, without agents I work as a writer much more free.\” What does not mean that Jasmin Bolger published about what she writes. \”For God’s sake!\” laughs the author. \”Of course you need a certain sense of proportion and distance to the own work, to decide what is good and what is better in the drawer, but trivia is now my fourth completed novel, and I know where I stand.

New Release Poetry Book

The Weingarten author gives his poetry debut with the band published in poetry of the number 21. “After his prose poetry children’s Theatre”, will appear with life is a hit list “the first volume of poetry of the Weingarten author Stefan Kleiber. Between family, football pitch and Metalkonzert, even lovable, even quirky snapshots that he kept as a lyrical evergreens for memory succeed the 45-year father of three daughters. With a self-deprecating wink, he makes a rhyme on big or small mishaps of everyday life; also the traditional love-hate relationship between he takes “Badensern”and”Schwabensern” in his poems on the grain. Learn more at this site: Gurugram Condos. Its ability to detect common autobiographical episodes combines with a fine sense for the musicality of language. So, Stefan Kleiber is a poetic monument human strengths and weaknesses in charming and honest manner.

Life is a hit list”is already 63. band in the poetry Pope” Anton G. Leitner carefully lektorierten and composed poetry series 21, which presents remarkable contemporary poetry and lyrical debuts. Excerpt: On the ground remain so long no street bears my name, I am one who sweeps them easy.

Walter Scott

The romantic model of Walter Scott was suffering modifications throughout the times, being that one, occured one still in century XIX, the Cinq-Mars workmanship, of Vigny, consisted of presence of historical personages as protagonists. Other authors, as Victor Hugo, also base its workmanships on the individual action, exaltando real heroes and opposing the scottiano model. Thus, in century XX, with the transformations of the historical speech and the conception of proper history, the historical romance gains a new feio, in which the author does not feel obliged more to copy and to reflect the world external, but to create its proper worlds, without if worrying in always saying really? paper of the historical speech? nor with the probability that kept the traditional ficcional speech. In short, the author if feels freer to transit between one and another side of ‘ ‘ barreira’ ‘ that he separates the ficcional speech of the description.

Lukcs, to develop its study concerning the scottiano model, lingers to analyze it the process of construction of the personage. Different of many workmanships of the Romantismo, the romance of Scott always has as central figure ‘ ‘ medium hero and prosaico’ ‘. Lukcs makes use of conception of hero of the epic formulated for the Hegel philosopher opposes and it to the profile of the hero of the historical romance. While in that one the hero understands in itself what generally he meets spread in the national character and therefore it occupies the center of the text and ties its individuality with its main events, in the historical romance the protagonists acquires representation for its typically national characteristics, not in the direction of comprehensive eminences, but yes for representing the average. Therefore, while in the epic they are ‘ ‘ the national heroes of the poetical conception of vida’ ‘ , in the historical romance they are ‘ ‘ heroes prosaicos’ ‘ , that is, for Scott the heroic personage is only representative of an important and significant chain that understands ample layers of the population? he is a vulgar, trivial hero.